And if this is today’s modern woman, no wonder things have gone awry with the planet’s men. This sort of head-on chutzpah can backfire, prompting audiences to supress a snarled, “Oh yeah, prove it.” Unfortunately, screenwriters Floyd Byars and Laurie Frank don’t show Frankie as the creative whiz-kid that would justify this arrogance.
#Making mr right the movie drivers
A menace to other drivers as she puts on her eye makeup and tidies up shins and underarms with an electric shaver, she parks-as she always does-by crashing up onto the curb and flounces in to her waiting clients, announcing, “I’m always late-but I’m worth it.” Right” is, at least, evenhanded it seems to regard both the men and women of the story as objects for cool, lip-curling superiority.ĭirector Seidelman may love her heroine, Frankie Stone (Ann Magnuson), a high-powered Miami Beach “image consultant” but from the first moment we see her, roaring heedlessly down the freeway in her red Corvair convertible, it’s Frankie who seems to need some image work. For Peters, Malkovich calls forth bottled-up inner anger he is fierce and unapproachable in his scientist’s shyness and distaste for the non-scientific world.īut that’s it for the movie’s charm-and only one of those two characters could be called charming. Malkovich’s motions as Ulysses have a brilliant range of control they seem to emanate from some interior gyroscope and to pick up dexterity as he learns more of human emotions. It’s not simply the film’s superior special effects (courtesy of Bran Ferren). In bright blond shoulder-length Dynel hair, he plays both the churlish scientist and the inquisitive, sweet-spirited android with such wizardry that they seem to be two separate actors. The movie’s zingiest performance, and the sole reason to even consider seeing it, is by John Malkovich. It’s not surprising: Peters lacks even a chemical trace of those qualities himself.
Ulysses is about to be launched on a seven-year probe of deep space, and in order for him to capture the public’s attention, it’s felt he must have a few of the qualities-warmth, caring, affection, even love-that his look-alike creator, Jeff Peters, has sternly programmed out of him.
The story gives a modern career woman, whose private life is a shambles, the job of humanizing a state-of-the-art android, Ulysses, into something a little more state-of-the-heart.
#Making mr right the movie movie
The movie is brassy, its milk of human kindness curdled, its comic eye jaundiced. The premise, that an android might solve the modern woman’s troubles with modern men, sounds bright. Right” (citywide) tackles a heartfelt subject-where have all the good men gone?-with style and with one oddly touching performance, but with a curious lack of heart.
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